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Marc Mason is a freelance writer based in Tempe, AZ.
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HAPPY NONSENSE: POP CULTURE CONFIDENTIAL
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Tuesday, January 22, 2008
CLOVERFIELD
They were in my head.
Sitting in the theatre back In July, seeing the first teaser, I was capitvated, and more than a bit excited. In one of those rare moments, the entire film had snuck under the radar, and that little smidge of footage, untitled, represented something that I as a filmgoer was hoping for: another shot at redemption for the American kaiju film.
God knows, it needed it. The 1998 "Godzilla" (and I can only put it in quotation marks, because it was NOT Godzilla) was the most colossal disappointment of the past decade of cinema. Peter Jackson's KING KONG had its moments, but pacing issues were brutal. And frankly, the big monkey wasn't big enough.
Reaching back into my childhood, I was like so many, addicted to watching syndicated movies on weekday afternoons after school and on idle Saturdays. And nothing captured my attention like turning on the television and seeing Godzilla on the screen. This hulking, green, fire-breathing monster, rampaging his way through cities and battling other monsters his size... God. I would curl up in my grandfather's recliner and lock my eyes onto the screen, unable to turn away, and in my own way, deeply in love with what I was seeing.
But as we all know, love is a double-edged sword. It cuts, and it makes us bleed. And as much as I loved those movies, inevitably, I would go to bed those nights, and my nightmares would come, filled with giant monsters. And for my part, I was always trapped somewhere, trying to hide. Yet no matter where I went, it always seemed like I was stuck in the middle of the fights, or that I was never far from danger. I'd wake up panicked, sweating, shaking... disoriented and wondering why I was still alive.
Hell, if I'm being honest, I still have those types of dreams today, even when I haven't parked my rear end in front of the tube and watched a giant monster film.
I'm certainly not the only one, of course. Plenty of kids went through the same thing, the same nightmares. Hell, for young geeks, it's sort of a rite of passage, I suppose. It doesn't always become one of their ultimate obsessions, but for some of us, it has become a lifelong relationship. Some of you know just how much the big G means to me, and that I'd sell every one of your mothers, including mine, to get my hands on the character creatively.
My friend Matt and I have differed wildly in our feelings about what CLOVERFIELD would be and whether or not it would deliver upon its promise. I get exactly where he's coming from, and honestly, after the 1998 "Godzilla" debacle, I'm the last person who should ever have anything resembling expectations. But watching the trailers and clips from CLOVERFIELD, I was absolutely certain I knew what it was. And it was.
It was my childhood nightmares brought to life and slapped up on the screen.
People trapped, chasing through danger to save the life of another, and finding nothing but fear, death, and horror, no matter where they go. No safety. No moments to breathe. Panic. Loss. Captured to a "t" and right on screen. I don't mind telling you, it kinda freaked me out.
But as much as it freaked me out, I can only imagine what a New Yorker who lived through 9/11 is going to feel while watching it. The film baldly plays upon imagery from our national conscience's day of imfamy. Debris clouds, destroyed landmarks, toppled buildings, people trying to evacuate Manhatten on foot via the Brooklyn Bridge. Memories will be dredged up, and I'm sure that many will feel uncomfortable. Can't blame them, that's for sure.
I have zero clue what the ultimate verdict the nerdosphere will render on CLOVERFIELD, but I can say this beyond my personal reaction: when the credits began to roll (and if you go, stay through the credits- there's only one piece of musical score, and it plays after the credits begin, and it is an incredible tribute to every great monster movie score *ever*) more people stayed in their seats than any movie I've seen in *years*. I sat listening to the chatter, hearing people discuss and dissect what they had just seen. Good or bad, the film struck a chord with the people in the audience, and they needed to get their thoughts out *immediately*.
If you do plan to see it, let me make two recommendations. One, see it in the theatre: the handheld camera work is going to be extremely rough on home video, unless you have at least a 42-inch TV. Two: sit as far back from the screen as you comfortably can. Or motion sickness is in your near future.
/Mason
7:42 AM
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